The Sound of Krsna

Krsna's Flute

Śrī Caitanya Mahāprabhu continued, “My dear friend, the Supreme Personality of Godhead, Kṛṣṇa, has a voice as deep as a cloud resounding in the sky. With the tinkling of His ornaments, He attracts the ears of the gopīs, and with the sound of His flute He attracts even the goddess of fortune and other beautiful women. That Personality of Godhead, known as Madana-mohana, whose joking words carry many indications and deep meanings, is increasing the lusty desires of My ears.’

“Kṛṣṇa’s deep voice is more resonant than newly arrived clouds, and His sweet song defeats even the sweet voice of the cuckoo. Indeed, His song is so sweet that even one particle of its sound can inundate the entire world. If such a particle enters one’s ear, one is immediately bereft of all other types of hearing.

“My dear friend, please tell me what to do. My ears have been plundered by the qualities of Kṛṣṇa’s sound. Now, however, I cannot hear His transcendental sound, and I am almost dead for want of it.

“The tinkling of Kṛṣṇa’s ankle bells surpasses the songs of even the swan and crane, and the sound of His bangles puts the singing of the caṭaka bird to shame. Having allowed these sounds to enter the ears even once, one cannot tolerate hearing anything else.

“Kṛṣṇa’s speech is far sweeter than nectar. Each of His jubilant words is full of meaning, and when His speech mixes with His smile, which is like camphor, the resultant sound and the deep meaning of Kṛṣṇa’s words create various transcendental mellows.

“One particle of that transcendental, blissful nectar is the life and soul of the ear, which is like a cakora bird that lives in hope of tasting that nectar. Sometimes, by good fortune, the bird can taste it, but at other times he unfortunately cannot and therefore almost dies of thirst.

“The transcendental vibration of Kṛṣṇa’s flute disturbs the hearts of women all over the world, even if they hear it only once. Thus their fastened belts become loose, and these women become the unpaid maidservants of Kṛṣṇa. Indeed, they run toward Kṛṣṇa exactly like madwomen.

“When she hears the vibration of Kṛṣṇa’s flute, even the goddess of fortune comes to Him, greatly hoping for His association, but nevertheless she does not get it. When the waves of thirst for His association increase, she performs austerities, but still she cannot meet Him.

“Only the most fortunate can hear these four nectarean sounds-Kṛṣṇa’s words, the tinkling of His ankle bells and bangles, His voice and the vibration of His flute. If one does not hear these sounds, his ears are as useless as small conchshells with holes.” (Sri Caitanya-caritamrta, Antya-lila text 40-48)

Full text and purport More

Sri Krsna Rasa-yatra

Rasa Lila

Today being Purnima (the Full Moon), is also the End of Kartika, Sri Krsna Rasa-yatra (the purnima or full moon of Damodara month is the second full moon of the autumn season, and rasa lila is again celebrated), Tulasi-Saligrama Vivaha (this is the celebration of the marriage ceremony of Srimati Tulsi Devi and Lord Sri Krishna), and the Last Day of Caturmasya.

In honor of this auspicious day, we are posting the Introduction to the Rasa Dance, Chapter 29 of the Krsna Book.

…The appearance of the moon increased Kṛṣṇa’s desire to dance with the gopīs. The forests were filled with fragrant flowers. The atmosphere was cooling and festive. When Lord Kṛṣṇa began to blow His flute, the gopīs all over Vṛndāvana became enchanted. Their attraction to the vibration of the flute increased a thousand times due to the rising full moon, the red horizon, the calm and cool atmosphere, and the blossoming flowers. All these gopīs were by nature very much attracted to Kṛṣṇa’s beauty, and when they heard the vibration of His flute, they became apparently lustful to satisfy the senses of Kṛṣṇa.

Immediately upon hearing the vibration of the flute, they all left their respective engagements and proceeded to the spot where Kṛṣṇa was standing. While they ran very swiftly, all their earrings swung back and forth. They all rushed toward the place known as Vaṁśīvaṭa. Some of them were engaged in milking cows, but they left their milking business half finished and immediately went to Kṛṣṇa. One of them had just collected milk and put it in a milk pan on the oven to boil, but she did not care whether the milk overboiled and spilled–she immediately left to go see Kṛṣṇa. Some of them were breast feeding their small babies, and some were engaged in distributing food to the members of their families, but they left all such engagements and immediately rushed towards the spot where Kṛṣṇa was playing His flute. Some were engaged in serving their husbands, and some were themselves engaged in eating, but neither caring to serve their husbands nor eat, they immediately left. Some of them wanted to decorate their faces with cosmetic ointments and to dress themselves very nicely before going to Kṛṣṇa, but unfortunately they could not finish their cosmetic decorations nor put on their dresses in the right way because of their anxiety to meet Kṛṣṇa immediately. Their faces were decorated hurriedly and were haphazardly finished; some even put the lower part of their dresses on the upper part of their bodies and the upper part on the lower part.

While all the gopīs were hurriedly leaving their respective places, their husbands, brothers and fathers were all struck with wonder to know where they were going. Being young girls, they were protected either by husbands, elderly brothers or fathers. All their guardians forbade them to go to Kṛṣṇa, but they disregarded them. When a person becomes attracted by Kṛṣṇa and is in full Kṛṣṇa consciousness, he does not care for any worldly duties, even though very urgent. Kṛṣṇa consciousness is so powerful that it gives everyone relief from all material activities. Śrīla Rūpa Gosvāmī has written a very nice verse wherein one gopī advises another, “My dear friend, if you desire to enjoy the company of material society, friendship and love, then please do not go to see this smiling boy Govinda, who is standing on the bank of the Yamunā and playing His flute, His lips brightened by the beams of the full moonlight.” Śrīla Rūpa Gosvāmī indirectly instructs that one who has been captivated by the beautiful smiling face of Kṛṣṇa has lost all attraction for material enjoyments. This is the test of advancement in Kṛṣṇa consciousness: a person advancing in Kṛṣṇa consciousness must lose interest in material activities and personal sense gratification.

Full Chapter More

Krsna’s Sweet Flute Playing Within The Forest of Vṛndāvana

radha-learning-flute-from-krishna

[This is a verse spoken by Śrīmatī Rādhārāṇī.] “My dear friend, now I have met My very old and dear friend Kṛṣṇa on this field of Kurukṣetra. I am the same Rādhārāṇī, and now We are meeting together. It is very pleasant, but still I would like to go to the bank of the Yamunā beneath the trees of the forest there. I wish to hear the vibration of His sweet flute playing the fifth note within that forest of Vṛndāvana.”

More

The Vibration of Krishna’s Flute

Sri Krishna with flute

“The vibration of His flute is just like a bird that creates a nest within the ears of the gopīs and always remains prominent there, not allowing any other sound to enter their ears. Indeed, the gopīs cannot hear anything else, nor are they able to concentrate on anything else, not even to give a suitable reply. Such are the effects of the vibration of Lord Kṛṣṇa’s flute.” (Madhya-lila 21.144)

…This vibration of Kṛṣṇa’s flute is represented by the Hare Kṛṣṇa mahā-mantra. A serious devotee of the Lord who chants and hears this transcendental vibration becomes so accustomed to it that he cannot divert his attention to any subject matter not related to Kṛṣṇa’s blissful characteristics and paraphernalia. (from purport)

Full Text and Purport More

The Sound of Kṛṣṇa’s Flute

Krsna's flute

click on image to enlarge

“His slight smiling and fragrant illumination are compared to camphor, which enters the sweetness of the lips. That sweetness is transformed and enters into space as vibrations from the holes of His flute.

“The sound of Kṛṣṇa’s flute spreads in four directions. Even though Kṛṣṇa vibrates His flute within this universe, its sound pierces the universal covering and goes to the spiritual sky. Thus the vibration enters the ears of all inhabitants. It especially enters Goloka Vṛndāvana-dhāma and attracts the minds of the young damsels of Vrajabhūmi, bringing them forcibly to where Kṛṣṇa is present.

“The vibration of Kṛṣṇa’s flute is very aggressive, and it breaks the vows of all chaste women. Indeed, its vibration takes them forcibly from the laps of their husbands. The vibration of His flute attracts even the goddesses of fortune in the Vaikuṇṭha planets, to say nothing of the poor damsels of Vṛndāvana.

“The vibration of His flute slackens the knots of their underwear even in front of their husbands. Thus the gopīs are forced to abandon their household duties and come before Lord Kṛṣṇa. In this way all social etiquette, shame and fear are vanquished. The vibration of His flute causes all women to dance.

“The vibration of His flute is just like a bird that creates a nest within the ears of the gopīs and always remains prominent there, not allowing any other sound to enter their ears. Indeed, the gopīs cannot hear anything else, nor are they able to concentrate on anything else, not even to give a suitable reply. Such are the effects of the vibration of Lord Kṛṣṇa’s flute.”

Sri Caitanya-caritamrta 1975 Edition
By His Divine Grace A. C. Bhaktivedanta Swami Prabhupada
Madhya-lila, Chapter 21, Text 140-148

More

108 Imporant Slokas from the 1972 Bhagavad-gita As It Is

Click on image to go to Post

Click on image to go to Post

The Hare Krishna Cookbook

Songs of the Vaisnava Acaryas

Bhagavad-gita As It Is 1972 Edition “Online”

click on image

click on image to visit site

Srimad Bhagavatam Online

click on image

Raja-Vidya the King of Knowledge

click on image

click on image

Blog Stats

  • 1,353,466 hits

Enter your email address to subscribe to this blog and receive notifications of new posts by email.

Join 985 other followers

Important Slokas from the Brahma-samhita

click on image

click on image

Slokas from the Sri Isopanisad

click on image

click on image

Prayers By Queen Kunti (Slokas)

click on image

Gajendra’s Prayers of Surrender (Slokas)

click on image