Preaching in Russia

The following is a wonderful article written by Govinda Dasi and published in Dandavats in 2016. It was recently posted on Facebook. I thought this was an especially good time for presenting this once again.

Back in New York, in early 1967, Srila Prabhupada often sat in his room and slowly turned the world globe, studying the geographic demarcations of various countries on the Earth planet. He would sometimes say, “Brahmananda, you will go to Russia, Goursundar, you go to Japan, Rayarama, you will go to Europe…” and so on. Even though he had merely a handful of sincere American youths, most of them in their late teens or early twenties, he had big plans. Clearly, he wanted to open preaching centers in every country on Earth. His vision was huge–he planned to spread the Hare Krishna movement all over the world! But he was especially concerned about Russia.

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A Painting Full of Bhava

A Painting Full of Bhava
by Govinda Dasi

Govinda Dasi: It was at that time, when Swamiji was recovering from stroke in Vrindaban, feeling great separation from Swamiji, that I designed a drawing of Krishna returning home from the forest with thousands of cows. It was indeed a special drawing, for though I had never seen Vrindaban, or even photographs of it, just from Swamiji’s many descriptions of Vrindaban, I was able to create a picture that did indeed look very much like Krishna’s Vrindaban.

While doing this drawing, I was seeing cows and cowlads in my minds’ eye for weeks! I selected one particular cowlad to be Swamiji, and sent him a copy of the picture, denoting that the cowlad on the far right of Krishna was my depiction of him.

Years later, this early drawing of Krishna’s Vrindaban was artfully colored in by some of the later BBT artists, and is still used today in many of the books and temples. It is a painting that is full of bhava. That is because it is Swamiji’s drawing – not mine. It is full of his devotion. Remember, I had never even seen Vrindaban. But he was able to convey it to me so perfectly that the mood of Vrindaban is indeed present in that picture!

And he was also able to guide me from within my mind and heart just how he wanted it done. This is the deeper, more spiritual, understanding of transcendental art. It doesn’t come from us; as artists, we have to open ourselves so that Srila Prabhupada’s devotion comes through us. This mood requires surrender of the arrogant and rebellious attitude that, “I am the doer.” Or, “I am the artist.“

The World Acharya Dream


His Divine Grace
Srila A.C. Bhaktivedanta Swami Prabhupada

Founder-Acarya of the International Society for Krishna Consciousness

The following is the written memories and description by Govinda dasi, of her dream which inspired the above picture and her description of the painting.

About “The World Acharya Dream”
by Govinda dasi

Some time after Srila Prabhupada left this world, I had a very powerful dream….In that visionary dream, I saw Srila Prabhupada sitting on a huge lion-flanked and jewel-bedecked Vyasasana. His Vyasasana rested on the brightly shimmering globe of Mother Earth, and was positioned just above the sacred land of India. Behind him, the vast curvature of the earth planet was visible. A silvery bluish-white light emanated from the center of the vision, forming a giant oval, in which Srila Prabhupada sat.

Below him were many crowds of people–all races, nationalities, and all ages–all the people of the world, reaching out from darkness. They were pointing toward Srila Prabhupada, in awe and wonder, exclaiming, reaching out, praising, and acknowledging him according to their various abilities. Many were in darkness, in worldly life, yet they were all reaching out toward Srila Prabhupada, seeking his mercy.

Above Srila Prabhupada, in the shimmering silver-blue sky, many swan-shaped airplanes circled. In these airplanes, devas were singing praises and showering flowers. Cascades of colorful blossoms tumbled down from their swan planes, as they glorified Srila Prabhupada. With sweet sounding instruments, and heavenly chorus, they sang “Hare Krishna, Hare Krishna, Krishna Krishna, Hare Hare. Hare Rama, Hare Rama, Rama Rama, Hare Hare…” Their joyful mood spread throughout the universe.

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To Edit or Not To Edit – That Is The Question

Srila Prabhupada-with-book

This is another very nice article by Govinda dasi on Book Changes, posted recently on the Sun. We are reprinting it here, as it is a very important issue, and needs to be shared with every devotee.

…Yes, he read his books daily, and he spoke from that original Bhagavad-gita for over 10 years! He gave lectures on nearly every verse in that original Gita, and he requested only a couple of corrections, such as “the planet of the trees,” (to be changed to “the pitris”), and a couple of other small corrections. Had only those few changes been made, perhaps this controversy would never have occurred.

However, the problem is this: BBT did not simply edit Srila Prabhupada’s books and make simple Sanskrit corrections; rather, they edited Srila Prabhupada’s books and made sweeping changes, over 5,000 of them in the Gita alone, and thus changed the “writer’s voice” that had been so artistically created by Srila Prabhupada and Hayagriva working together.

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A Letter on Book Changes


A Letter on Book Changes
by Govinda Dasi (ACBSP)

Srila Prabhupada often said “Krishna has written these books.” So tell me, how can a conditioned soul improve on what Krishna has said or written??

Dear Yashoda Dulal Prabhu,

Pamho. Yes, the BBT always gives that one worn-out example of cattle, and of course the other one, planet of the trees. Yes, those are typos, mistakes. They fail to mention the other four thousand and nine hundred and ninety eight changes they made!

And had these two errors been corrected, along with any misspelled words, etc. there would have been no cause for alarm–or for a million dollar lawsuit with bbt defending the edited version–one which they lost in the courts. That court case is the only reason that now the world has an option to read Prabhupada’s original words. But the 5000 changes that were made, and changing the “writer’s voice” was unwarranted and factually criminal.

In a meeting at Honolulu temple some years back, Jayadvaita M. actually stated, “Oh, those (original) books were horrible!” Those “horrible” original books, filled with Srila Prabhupada’s divine mercy, made thousands of devotees in the ’70s. More books were distributed then than now.

It seems you believe the propaganda that Hayagriva was never around Prabhupada much, and there were many editors etc. What can I say? This is simply not true. I knew Hayagriva from the time I joined Prabhupada in San Francisco, January of 1967. Hayagriva was there, and was already editing the Gita, and spending hours every day with Srila Prabhupada going over every verse!

And later, just before the first Gita was printed, in late 1968, Hayagriva LIVED with us in Los Angeles. (I was Prabhupada’s secretary for the whole year of 1968 and part of 1969) Daily they would spend hours in Prabhupada’s room, going over every inch of the final edits. I am an eye witness to this.

At this time, I even did the cover drawing for the first MacMillan Gita (the purple one) with Prabhupada guiding me, literally over my shoulder, watching the drawing develop. The purple Gita cut out a lot of that meticulous work done by Srila Prabhupada and Hayagriva; Macmillan wanted to save money, to make it smaller. So they greatly edited Prabhupada’s manuscript, and he was unhappy with it, but accepted it as “a blind uncle.”

But at his first opportunity, he printed his manuscript in total, the Original Gita, the one with Jadurany’s reddish battlefield painting on the cover. Srila Prabhupada was extremely happy with that Gita–he finally got his carefully nurtured manuscript into print! He was overjoyed!

The “Edited Edition”, with the blue battlefield cover, done by Parikshit das, with Krishna carrying a whip rather than his Panchajanya (conch) as directed by Srila Prabhupada, was done AFTER Srila Prabhupada’s departure from this world. Both the editing and the cover were done after his departure, yet they inserted his preface and signature of 1971–as if, with 5000 changes, it was the same book! How unethical!

Most of Prabhupada’s disciples did not even know this editing mischief was going on; they were grieving the loss of Srila Prabhupada from this world. Only later, when the dust had settled, did many of us learn of this travesty.

So I really do know what happened in those days. I even met with MacMillan in New York prior to the printing.

Jayadvaita M. had not even become a devotee in early 1967, so how would he know?? He says many things that are not in keeping with what really happened, since he was not there; perhaps he is relying on hearsay, I don’t know. Neither was Jayadvaita M. in Los Angeles in late 1968 when Hayagriva lived with us for weeks on end, completing the editing work.

Most of what the bbt says in this regard is based on fairy tales, hearsay, and perhaps some personal ambition as well. I do not know how they can skew things in this way and still sleep at night.

But what I do know is that Srila Prabhupada wanted NO FURTHER CHANGES TO HIS BOOKS. HE EXPRESSED THIS ON MANY OCCASIONS. A little research can easily prove this point.

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THE CENTENNIAL DREAM

THE CENTENNIAL DREAM (Vyas Puja offering written in 1996)

This offering was written in 1996, but never published, so I am submitting it now, in 2010, as it is as valid today as it was in 1996. Thank you, your servant, Govindasi

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Letter by Govinda dasi


Letter by
GOVINDA DASI
Paul Howard has brought up some very pertinent points. One, that there were in fact many tapes missing from that time period. Yes, this is true, and my understanding is that Tamal had those tapes and they somehow vanished. They were from the same time period that the July letter was written.

Two, the question of whether Prabhupada’s disciples accepted the zonal acharya eleven. Most of them did not. It is noteworthy that at the time when Srila Prabhupada left, it was understood that the initiations would continue uninterrupted just as they had been going on for some years. This was common knowledge.

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Letter on Book Changes


Letter on Book Changes
by Govinda Dasi (ACBSP)

Dear Yashoda Dulal Prabhu,

Pamho. Yes, the BBT always gives that one worn-out example of cattle, and of course the other one, planet of the trees. Yes, those are typos, mistakes. They fail to mention the other four thousand and nine hundred and ninety eight changes they made!

And had these two errors been corrected, along with any misspelled words, etc. there would have been no cause for alarm–or for a million dollar lawsuit with bbt defending the edited version–one which they lost in the courts. That court case is the only reason that now the world has an option to read Prabhupada’s original words. But the 5000 changes that were made, and changing the “writer’s voice” was unwarranted and factually criminal.

In a meeting at Honolulu temple some years back, Jayadvaita M. actually stated, “Oh, those (original) books were horrible!” Those “horrible” original books, filled with Srila Prabhupada’s divine mercy, made thousands of devotees in the ’70s. More books were distributed then than now.

It seems you believe the propaganda that Hayagriva was never around Prabhupada much, and there were many editors etc. What can I say? This is simply not true. I knew Hayagriva from the time I joined Prabhupada in San Francisco, January of 1967. Hayagriva was there, and was already editing the Gita, and spending hours every day with Srila Prabhupada going over every verse!

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108 Imporant Slokas from the 1972 Bhagavad-gita As It Is

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The Hare Krishna Cookbook

Songs of the Vaisnava Acaryas

Bhagavad-gita As It Is 1972 Edition “Online”

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Srimad Bhagavatam Online

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Raja-Vidya the King of Knowledge

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Important Slokas from the Brahma-samhita

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Slokas from the Sri Isopanisad

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Prayers By Queen Kunti (Slokas)

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Gajendra’s Prayers of Surrender (Slokas)

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A Short Statement of the Philosophy of Krishna Consciousness

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July 9th Letter

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The Hare Krishna Explosion

Reference Material/Study Guide

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