Adhokṣaja

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Adhokṣaja

If one were to do an image search on the Internet, of Maitreya; who is a character in the Srimad Bhagavatam, and the main person in our Previous post entitled “Vidura’s Talks with Maitreya”, the images that come up are of the Maitreya Buddha. It is interesting to note that In the Vedas, Adhokṣaja is one of the twenty-four forms of Lord Viṣṇu. Also in the Srimad Bhagavatam in the First Canto, Chapter Three, entitled “Kṛṣṇa Is the Source of All Incarnations”, Buddha is one of the incarnations to appear in this age. I thought it interesting to do a post on Adhokṣaja with some selected text from Srila Prabhupada’s books.

Maitreya Muni, who was experienced in the science of Transcendence, could understand that Vidura’s mind was fully absorbed in Transcendence. Adhokṣaja means that which transcends the limits of sense perception or sensuous experience. The Lord is transcendental to our sense experience, but He reveals Himself to the sincere devotee. Because Vidura was always absorbed in thought of the Lord, Maitreya could estimate Vidura’s transcendental value. He appreciated the valuable inquiries of Vidura and thus thanked him with great honor. (SB 3.5.18, Purport)

The Lord is explained here to be adhokṣaja, beyond the reach of all material calculation. Akṣaja means “the measurement of our senses,” and adhokṣaja means “that which is beyond the measurement of our senses.” (SB 3.19.25, Purport)

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Meaning of the Auspicious Marks on the Lotus Feet of Sri Nityananda Prabhu
Compiled and translated by Dasaratha-suta dasa

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Sri Rupa-cintamani (Free PDF Download)

Radha Krishna

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…Decorated with splendid jewel lotus petals, the youthful and fragrant divine couple are splendid as a monsoon cloud and lightning as They stand on a jeweled golden pavement under a tall kalpa-druma tree by the Yamunā in Vṛndāvana Forest. O mind, please always remember Their charming, gentle smile.

O mind, please remember Lord Hari’s splendid crown decorated with peacock feathers and guñjā, His wavy locks of hair, His forehead splendid with tilaka, His eyebrows, eyes, nose, splendid cheeks, ears, glittering jewel earrings, red lips, flute, face, arching neck marked with three lines, soft shoulders, broad arms decorated with armlets and other ornaments, hands, fingers marked with wavy lines, chest decorated with kaustubha jewel and garlands of pearls and forest flowers and the splendid mark of the goddess of fortune, the line of hairs on His splendid abdomen, His lotus navel, slender waist, tinkling bells, yellow garments, large knees, ankles decorated with tinkling ankle-bells, lotus feet, graceful toes, pink toenails, the redness that extends across the soles of His feet up to His heels, and on His right foot: the barleycorn-mark at the base of His big toe, the ūrdhva-rekhā by His fore-toe, the curved lotus in the middle of His foot, the flag on the surface of His foot, the elephant-goad and thunderbolt at the base of His little-toe, the four svastikas, the jambus, and the eight-pointed star in the middle.

A charming couple, two mountainous oceans of the nectar of the love they bear for each other, shines in Vṛndāvana Forest. The young girl, whose splendor rebukes the lightning flash, hides a gentle smile under Her blue sari. Please remember that smile.

O mind, please meditate on Rādhā’s fine, curly, braided hair, the jewel, golden leaf, tilaka, and curly hairs on Her forehead, Her eyebrows, mascara-anointed eyes, ears, the charming shark-shaped earings at Her cheeks, Her pearl-decorated nose, lips. splendid teeth, musk-dot-decorated chin, neck marked with three lines and decorated with many necklaces, gracefully sloping shoulders, armlet-decorated arms, elbows, lotus hands endowed with beautiful and auspicious lines and decorated with bracelets, jewel ūrmikās, rings, beautiful fingernails, breasts covered with a splendid red bodice, locket, flower-petal abdomen with a line of hairs, navel, slender waist marked with three lines, colorful undergarments, blue petticoat, thighs, knees, legs, ankles, anklets, ankle-bells, toe-ūrmikās, toe-rings, and toe-nails, the barleycorn and ari beneath Her left big-toe, the ūrdhva-rekhābeneath Her fore-toe, the small chariot nearby, the lotus, flag, flower, and vine in the middle, the elephant-goad beneath Her little-toe, beneath that a bracelet and parasol, on the heel a half-moon, on the heel of the other foot a fish, above that a flying mountain, on the sides a śakti and pada, under the big-toe a conchshell, under the little toe an altar, and beneath that an earring…

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