Freedom From All Miseries

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This morning my body was stiff when I woke from sleep, as I have been working rather hard lately, and I thought that I would do my morning Yoga out on the deck as the Sun was rising. Going through all the different asanas, my mind was thinking about the actual meaning of the word yoga (union with God). So after my shower I opened the Bhagavad-gita As It Is and read chapter six entitled “Sankhya-yoga”.

I guess you could say I felt some pleasure while performing my hatha-yoga asanas, as the stiffness left my body and blood circulation returned, and then from my reading I could understand that this was understandable and acceptable.

…There is an acceptance of transcendental pleasure in the Patañjali system, but the monists do not accept this transcendental pleasure out of fear of jeopardizing the theory of oneness. The duality of knowledge and knower is not accepted by the nondualist, but in this verse transcendental pleasure—realized through transcendental senses—is accepted. And this is corroborated by the Patañjali Muni, the famous exponent of the yoga system. The great sage declares in his Yoga-sūtras: puruṣārtha-śūnyānāṁ guṇānāṁ pratiprasavaḥ kaivalyaṁ svarūpa-pratiṣṭhā vā citi-śaktir iti.

This citi-śakti, or internal potency, is transcendental. Puruṣārtha means material religiosity, economic development, sense gratification and, at the end, the attempt to become one with the Supreme. This “oneness with the Supreme” is called kaivalyam by the monist. But according to Patañjali, this kaivalyam is an internal, or transcendental, potency by which the living entity becomes aware of his constitutional position. In the words of Lord Caitanya, this state of affairs is called ceto-darpaṇa-mārjanam, or clearance of the impure mirror of the mind. This “clearance” is actually liberation, or bhava-mahādāvāgni-nirvāpaṇam. The theory of nirvāṇa—also preliminary—corresponds with this principle. In the Bhāgavatam this is called svarūpeṇa vyavasthitiḥ. The Bhagavad-gītā also confirms this situation in this verse. (from purport to Bg. 6.20-23)

Maybe I just use the philosophy to justify my enjoyment of yoga-asanas, or perhaps controlling the mind, body and senses, is the preliminary path leading to liberation, freedom from all miseries.

As a lamp in a windless place does not waver, so the transcendentalist, whose mind is controlled, remains always steady in his meditation on the transcendent Self. (Bg. 6.19)

Patanjali_Yoga

The stage of perfection is called trance, or samādhi, when one’s mind is completely restrained from material mental activities by practice of yoga. This is characterized by one’s ability to see the self by the pure mind and to relish and rejoice in the self. In that joyous state, one is situated in boundless transcendental happiness and enjoys himself through transcendental senses. Established thus, one never departs from the truth, and upon gaining this he thinks there is no greater gain. Being situated in such a position, one is never shaken, even in the midst of greatest difficulty. This indeed is actual freedom from all miseries arising from material contact.
(Bg. 6.20-23)

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The Gopīs Attracted by the Flute

The Gopis Attracted by the Flute

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…Kṛṣṇa was very expert in playing the flute, and the gopīs were captivated by the sound vibration, which was not only attractive to them, but to all living creatures who heard it. One of the gopīs told her friends, “The highest perfection of the eyes is to see Kṛṣṇa and Balarāma entering the forest and playing Their flutes and tending the cows with Their friends.”

Persons who are constantly engaged in the transcendental meditation of seeing Kṛṣṇa, internally and externally, by thinking of Him playing the flute and entering the Vṛndāvana forest, have really attained the perfection of samādhi. Samādhi (trance) means absorption of all the activities of the senses on a particular object, and the gopīs indicate that the pastimes of Kṛṣṇa are the perfection of all meditation and samādhi. It is also confirmed in the Bhagavad-gītā that anyone who is always absorbed in the thought of Kṛṣṇa is the topmost of all yogīs.

Kṛṣṇa, The Supreme Personality of Godhead 1970 Edition
By His Divine Grace A. C. Bhaktivedanta Swami Prabhupada
Vol. 1, Chapter 21

The Gopīs Attracted by the Flute

Kṛṣṇa was very pleased with the atmosphere of the forest where flowers bloomed and bees and drones hummed very jubilantly. While the birds, trees and branches were all looking very happy, Kṛṣṇa, tending the cows, accompanied by Śrī Balarāma and the cowherd boys, began to vibrate His transcendental flute. After hearing the vibration of the flute of Kṛṣṇa, the gopīs in Vṛndāvana remembered Him and began to talk amongst themselves about how nicely Kṛṣṇa was playing His flute. When the gopīs were describing the sweet vibration of Kṛṣṇa’s flute, they also remembered their pastimes with Him; thus their minds became disturbed, and they were unable to describe completely the beautiful vibrations. While discussing the transcendental vibration, they remembered also how Kṛṣṇa dressed, decorated with a peacock feather on His head, just like a dancing actor, and with blue flowers pushed over His ear. His garment glowed yellow-gold, and He was garlanded with a vaijayantī necklace. Dressed in such an attractive way, Kṛṣṇa filled up the holes of His flute with the nectar emanating from His lips. So they remembered Him, entering the forest of Vṛndāvana, which is always glorified by the footprints of Kṛṣṇa and His companions.

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The Gopīs Attracted by the Flute

Click on image to enlarge

…Kṛṣṇa was very expert in playing the flute, and the gopīs were captivated by the sound vibration, which was not only attractive to them, but to all living creatures who heard it. One of the gopīs told her friends, ”The highest perfection of the eyes is to see Kṛṣṇa and Balarāma entering the forest and playing Their flutes and tending the cows with Their friends.“

Persons who are constantly engaged in the transcendental meditation of seeing Kṛṣṇa, internally and externally, by thinking of Him playing the flute and entering the Vṛndāvana forest, have really attained the perfection of samādhi.

Kṛṣṇa, the Supreme Personality of Godhead
By His Divine Grace A.C. Bhaktivedanta Swami Prabhupada
Chapter 21

The Gopīs Attracted by the Flute

Kṛṣṇa was very pleased with the atmosphere of the forest where flowers bloomed and bees and drones hummed very jubilantly. While the birds, trees and branches were all looking very happy, Kṛṣṇa, tending the cows, accompanied by Śrī Balarāma and the cowherd boys, began to vibrate His transcendental flute. After hearing the vibration of the flute of Kṛṣṇa, the gopīs in Vṛndāvana remembered Him and began to talk amongst themselves about how nicely Kṛṣṇa was playing His flute. When the gopīs were describing the sweet vibration of Kṛṣṇa’s flute, they also remembered their pastimes with Him; thus their minds became disturbed, and they were unable to describe completely the beautiful vibrations. While discussing the transcendental vibration, they remembered also how Kṛṣṇa dressed, decorated with a peacock feather on His head, just like a dancing actor, and with blue flowers pushed over His ear. His garment glowed yellow-gold, and He was garlanded with a vaijayantī necklace. Dressed in such an attractive way, Kṛṣṇa filled up the holes of His flute with the nectar emanating from His lips. So they remembered Him, entering the forest of Vṛndāvana, which is always glorified by the footprints of Kṛṣṇa and His companions.

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Krishna Nectar


KRSNA The Supreme Personality of Godhead
by His Divine Grace A.C. Bhaktivedanta Swami Prabhupada

“Wearing a peacocl-feather ornament upon His head, blue karnikara flowers on His ears, a yellow garment as brilliant as gold, and the Vaijayanti garland. Lord Krishna exhibited His transcendental form as the greatest of dancers as He entered the forest of Vrndavana, beautifying it with the marks of footprints. He filled the holes of His flute with the nectar of His lips, and the cowherd boys sang his glories”

“The highest perfection of the eyes is to see Krishna & Balarama entering the forest and playing Their flutes and tending the cows with their friends”

Persons who are constantly engaged in the transcendental meditation of seeing Krishna, internally and externally, by thinking of Him playing the flute and entering the Vrindavan forest, have really attained the perfection of samadhi. It is also confirmed in the Bhagavad-gita that anyone who is always absorbed in the thought of Krishna is the topmost yogi.

108 Imporant Slokas from the 1972 Bhagavad-gita As It Is

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The Hare Krishna Cookbook

Songs of the Vaisnava Acaryas

Bhagavad-gita As It Is 1972 Edition “Online”

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Srimad Bhagavatam Online

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Raja-Vidya the King of Knowledge

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