Here is Krishna, Here is God

KrishnaFrance

Śrīmad Bhāgavatam Lecture

…So our Kṛṣṇa consciousness movement is so nice.. We present, “Here is God.” Here is God. Take His name. Take His address also. It is so perfect. They are searching after God. We are giving the name, address, activity, everything, quality, all. Nāma-rūpa-līlā-parikara-vaiśiṣṭhyam, everything. Nāma means name. Here is Kṛṣṇa, “He is engaged in enjoyment with Rādhārāṇī and playing on His flute.” Veṇuṁ kvaṇantam aravinda-dalāyatākṣaṁ bar… [Bs. 5.30]. We are not imagining. Not that this artist imagines, the poet imagines. No. We don’t do that rascaldom. We don’t do that. We take information from the Vedas. Kṛṣṇa, when He was present personally, He played on His flute. The gopīs saw and the cowherds boys saw five thousand years ago. And the ācāryas took information. Even if you don’t believe in the history, then come to śāstra. The śāstra says veṇuṁ kvaṇantam aravinda-dalāyatākṣam: [Bs. 5.30] “Kṛṣṇa, the Supreme Personality of Godhead, is always engaged in playing on His flute.” This is Vedic statement. Veṇuṁ kvaṇantam aravinda-dalāyatākṣam: [Bs. 5.30] “His eyes are just like lotus petals.” Veṇuṁ kvaṇantam aravinda-dalāyatākṣaṁ barhāvataṁsam asitāmbuda-sundarāṅgam: [Bs. 5.30] “He has got a peacock feather on His head.” These are the description in the Vedas. “He has got a peacock feather on His head.” Barhāvataṁsam asitāmbuda: “His color is blackish.” What kind of blackish? Asitāmbuda: “Just like new cloud.” Asitāmbuda-sundarāṅgam: “But don’t think because He is blackish, He is not beautiful. He is most beautiful.” How much beautiful? Kandarpa-koṭi-kamanīya-viśeṣa-śobham: [Bs. 5.30] “He is so beautiful that if you gather millions of Cupids, still He is more beautiful.” These descriptions are there.

So Kṛṣṇa consciousness movement is very nice. You will be able to understand what is God, and you will be able to understand what is your relationship with God. And you will be able to understand how you can go back to home, back to Godhead.

Thank you very much. (end)

Full Lecture More

Govinda

The Radha Krsna Temple Album

The verses 30 and 32 from the Brahma-samita are sung in the morning Srngara Arati in all ISKCON temples, while the first track of the 1970 album “Radha Krsna Temple” is played. Srila Prabhupada enjoyed this track very much and was so moved that he said that this track will play at all ISKCON temples for the Srngara Arati. As a result, no one ever leads kirtan for this song, as it is played through that track.

Govinda
The Radha Krsna Temple Album
Sung by Yamuna devi
Produced by George Harrison

veṇuṁ kvaṇantam aravinda-dalāyatākṣam-
barhāvataṁsam asitāmbuda-sundarāṅgam
kandarpa-koṭi-kamanīya-viśeṣa-śobhaṁ
govindam ādi-puruṣaṁ tam ahaṁ bhajāmi

veṇum—the flute; kvaṇantam—playing; aravinda-dala—(like) lotus petals; āyata—blooming; akṣam—whose eyes; barha—a peacock’s feather; avataṁsam—whose ornament on the head; asita-ambuda—(tinged with the hue of) blue clouds; sundara—beautiful; aṅgam—whose figure; kandarpa—of Cupids; koṭi—millions; kamanīya—charming; viśeṣa—unique; śobham—whose loveliness; govindam—Govinda; ādi-puruṣam—the original person; tam—Him; aham—I; bhajāmi—worship.

I worship Govinda, the primeval Lord, who is adept in playing on His flute, with blooming eyes like lotus petals with head decked with peacock’s feather, with the figure of beauty tinged with the hue of blue clouds, and His unique loveliness charming millions of Cupids.

aṅgāni yasya sakalendriya-vṛtti-manti
paśyanti pānti kalayanti ciraṁ jaganti
ānanda-cinmaya-sad-ujjvala-vigrahasya
govindam ādi-puruṣaṁ tam ahaṁ bhajāmi

aṅgāni—the limbs; yasya—of whom; sakala-indriya—of all the organs; vṛtti-manti—possessing the functions; paśyanti—see; pānti—maintain; kalayanti—manifest; ciram—eternally,; jaganti—the universes; ānanda—bliss; cit—truth; maya—full of; sat—substantiality; ujjvala—full of dazzling splendor; vigrahasya—whose form; govindam—Govinda; ādi-puruṣam—the original person; tam—Him; aham—I; bhajāmi—worship.

I worship Govinda, the primeval Lord, whose transcendental form is full of bliss, truth, substantiality and is thus full of the most dazzling splendor. Each of the limbs of that transcendental figure possesses in Himself, the full-fledged functions of all the organs, and eternally sees, maintains and manifests the infinite universes, both spiritual and mundane.

Apple Records; The Radha Krsna Temple

More

108 Imporant Slokas from the 1972 Bhagavad-gita As It Is

Click on image to go to Post

Click on image to go to Post

The Hare Krishna Cookbook

Songs of the Vaisnava Acaryas

Bhagavad-gita As It Is 1972 Edition “Online”

click on image

click on image to visit site

Srimad Bhagavatam Online

click on image

Raja-Vidya the King of Knowledge

click on image

click on image

Blog Stats

  • 1,996,288 hits

Enter your email address to subscribe to this blog and receive notifications of new posts by email.

Join 3,745 other followers

Important Slokas from the Brahma-samhita

click on image

click on image

Slokas from the Sri Isopanisad

click on image

click on image

Prayers By Queen Kunti (Slokas)

click on image

Gajendra’s Prayers of Surrender (Slokas)

click on image

A Short Statement of the Philosophy of Krishna Consciousness

click on image

click on image

July 9th Letter

click on image

click on image

The Hare Krishna Explosion

Reference Material/Study Guide

click on image

click on image